News & Links – February 25 . . . → Read More: News & Links – February 25
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News & Links – February 25 . . . → Read More: News & Links – February 25 With my feed reader at 1000+ unread posts (thanks a lot, busy work week and unexpected out-of-country trip), I might as well just claim defeat and start from scratch, but not before compiling some things that have caught my eye. . . . → Read More: News & Links – February 20 I’ll admit that I’m not much of a Joanna Newsom fan. I didn’t like either of her previous releases, The Milk-Eyed Mender or Ys. I wanted to like her music, because she oftentimes gets lumped in with musicians whose work I do enjoy, but I just couldn’t get into her whole sound. Regardless of . . . → Read More: News & Links – January 27 Here are some more albums which have seen some pretty heavy play around here this year. In case you’ve missed it, check out albums 11 through 15 and 16 through 20 on my list of favorites from the past year. A.A. Bondy, When the Devil’s Loose. I had waited and waited and waited for . . . → Read More: 2009 Favorites: Part Three After Friday’s wildly successful show at the Pabst, Andrew Bird had little to prove to Saturday’s audience. He admitted that he felt much less pressure, given how well things had gone the night before. For other artists, this might mean that the show gets sloppier, less tight, but not for Andrew Bird. On Saturday, he took a few more risks than usual, playing several new songs, bringing back old favorites, and engaging in a few beautiful collaborations. Starting out with the eerily compelling “Water Jet Cilice”, Bird brought a different mood to Saturday’s show, a more laid-back atmosphere as compared to Friday’s high-energy assault of sound. Creating every sound on his own with the help of his looping machines, songs stretched and formed right in front of you. It’s easy to forget just how much of what you hear is Andrew Bird and his cluster of instruments when watching the full band. As a solo act, however, you’re confronted with that fact early on, making it hard to deny the special kind of genius he exhibits in his work. The explanation of “Sweetmatter” (it being inadvisable to release a song containing a reference to mad cow disease) and the lyrics (“that’s the taste of neurons blinking”) drew laughter from the audience. While I’ve heard it before, being with an audience where many seem to be hearing the song for the first time gave it a whole new freshness. Proceeding to launch into the moody instrumental opening of “Why?”, Bird continued to amaze with his perfect delivery of the lyrics, where deadpan humor, anger, and raw emotion all coexist in one song. Though he mixed up some of the lyrics at the end, this is one song where you half expect that to happen, given how the song consumes him. “I just get so angry,” he said with a smile, explaining away the bungled lyrics. More behind the jump… Continue reading Concert Review: Andrew Bird (Solo Show), Pabst Theatre, 10/17 |
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